Atomic (The New Rock Musical)
- 流派:Rock 摇滚
- 语种:英语
- 发行时间:2016-01-25
- 类型:录音室专辑
- 歌曲
- 时长
简介
Credits: Lyrics - Danny Ginges & Philip Foxman Music - Philip Foxman Vocal arrangements & orchestrations - Andy Peterson Vocals - Michael Falzon, Bronwyn Mulcahy, Andrew Call, Jeanna de Wall, Pearl Sun and Bradley Dean Drums - Trey Files Bass - Alan Stevens Hewitt Guitar & mandolin - Dillon Kondor Violin - Jonathan Weber Cello - Alisa Horn Keyboards - Andy Peterson Sound Design - Taylor Williams Produced by Philip Foxman Executive Producer - Steve Margoshes Creative Director - Damien Gray General Manager - Cesa Entertainment Recorded and mixed by Geoff Sarnoff at Renegade Studios New York Mastering - Benchmark Mastering 3D imagery - Heckler Concept and album design by Danny Ginges Synopsis: Brilliant young physicist Leo Szilard has an annoying habit of being right. So when he warns his former student Trude Weiss about the dangers of Hitler’s appointment as chancellor, she agrees to flee Europe with him. On their way to America, Leo works out the way to of harness the power of the atom. His hope of a new power source for mankind soon turns to fear when the Uranium atom is split in Berlin. He alerts the authorities to the real threat of a German atom bomb and leads the charge to help America get there first. But the seed he plants and nurtures soon develops a life of its own. And Leo’s dream of saving the world through science gives way to the terrible new threat of nuclear extinction. History: Staged read at NIDA Sydney - October 2012 Showase - NIDA’s Parade Theatres - November 2013 Off-Broadway limited run – Acorn Theatre NYC, July - August 2014 Upcoming shows Meadow Brook Theatre Michigan - February 2016 New Line Theatre St Louis - June 2016 Off-Broadway Reviews ‘Blows the roof off the theatre’ - Theatremania ‘So Intelligent The Times Will Murder It’ - Times Square Chronicles ‘Both interesting and moving’- The New Yorker ‘A hot rock score that sizzles!’ - Times Square Chronicles ‘Philip Foxman’s music (with lovely vocal arrangements by Andrew Peterson) is beautiful’ – The New Yorker