“Greater Good Parasite” is the album's opening track, showing right away how much the percussion is part of the band's sound. Guitars and bass work together on a really heavy crescendo. Lyrics expose the reasons and motivations of a modern war, with the different realities of leaders, soldiers and people. Following up, we have “Pulse”, the fastest track of the album (and one of the most extreme songs). No time to breathe, merciless dynamics, filled with Thrash Bay Area solos. Sex is the theme, but not in a pornographic way – sex as the instinctive, primordial power of the human psyche, which is well represented by the subtle climax at the end of the song. After all the fury, “Denial” comes to calm the madness down. A slower, groovier track, with dissonant riffs, to work with the lyrics that describe a person's constant self-denial, repressing instincts and wishes because of some social restriction he or she is trapped in. Showing some Brazilian folklore, “Indigenous Self” is a very suited title. Percussion comes again as a vibrant characteristic, not just background effect. The theme explores a metaphor between Indians' lives and tribes that were destroyed, and the individuals whose lives have been altered so much they have no real recognition of their true being. “The Warning” is probably the most complex song on the album. Multiple vocal tracks, syncopated riffs and schizophrenic solos, taking multiple hearings for the listener to be able to acknowledge all that is happening. Lyrics deal with a scenario of global destruction, where mankind is being judged by its catastrophic actions against the planet. “Afforddiction” is already hailed as a Krucipha hit. With present percussion, a good balance between speed and groove, and guitars and bass working so well together. The theme of the song is the criticism of the non-stop consumerism of modern societies. “Tribal War” is the song that definitely express the differential that is the percussion, leading the addictive rhythm. However, groove is not just what the track is about, with fast drumming and riffs that comes right after the first chorus, leading the way to a breakdown to catch the breath back. Partially based on Albert Einstein's words, the lyrics deal with the limitless stupidity of mankind: a post-apocalyptic world, where people are doomed to live in tribes and fight with “sticks and stones” again for survival. “Reason Lost” closes the album, captivating the audience with alternating fast and slower parts, and simpler riffs, giving room for bass and percussion to soar. Lyrics contain strong criticism to obsession and fanaticism, specially when it comes to blind and destroy whatever is around.