Dead J于2011年的初冬在waveform厂牌推出了他的全新唱片. 不难看出, 从第一张专辑开始, Dead J就开始了对音乐中的思想性, 概念性的追求. 被称为三部曲的前三张专辑'心象''幻术''幻象' 巧妙的完成了他的初期观念架构阶段, 而亭台楼阁必然是他步入成熟的一个标志. 深受德国气质影响, 而有着东方哲学特点的思考构成了他更趋于微妙的新理念, 内敛而富有张力, 运动中的空间感, 稳重又不失表现力. Dead J逐渐完整的美学体系在这张专辑中的每一处都得到了精准的体现. 从唱片封套的颜色, 材质到唱片的做工, 每一个细节都渗透着Dead J 简洁, 严谨, 精致的作风, 从而让电子乐爱好者达到视觉和听觉的全方位满足感. 整张专辑的气息就像他在自述中描述的一样, 我希望亭台楼阁传达出一种静谧、内敛的疯狂。对这个混乱、无序的世界，发出一点个人的声音。 Following his ending album 'psychedelic elephant' of his trilogy set that released at 2008, Dead J has met his transition point. ''After years of dissection and denial, I want my music to come with simple, straight energy'' Instead of IDM electronic sounds that were once Dead J's trademark, the records used analog instrument and industrial noise as source material. On the other hand, he continually explore in-depth of the relationship between sound and space. Realizing the amount work that went into the creation of this set, Dead J's comes off as one highly impressive accomplishment that assures his place among Chinese electronic scene.