- 歌曲
- 时长
简介
Why Dara Puspita was never targeted by the authorities is a bit of a mystery, but was probably due to them being still relatively new on the scene in Jakarta and having not yet released a record. In late 1965 the political situation in Indonesia swung 360 degrees and rock and roll could be played again with impunity, so when Dara Pupita’s first album, Jang Pertama (The First), was released in 1966 they had little to fear. There is no mistaking the influence of other bands’ music on many of the songs here, such as the Rolling Stones’ Satisfaction riff in Mari-Mari (Come On, Come Here) or the Dave Clarke Five’s Glad All Over in Tanah Airku (My Homeland). Dara Puspita followed up their first album with the self-titled Dara Puspita later in the year and in 1967 put out two albums, Green Green Grass and A Go Go. The title track from the latter album, and the song Believe Me, are good examples of the band’s beat credentials. The band was a popular attraction in Indonesia and also in the region, playing to enthusiastic crowds in neighbouring countries, such as Thailand and Malaysia. In 1968 they took the almost unprecedented move for an Indonesian band of trying their luck in Europe and spent the next few years touring in England, Holland, France, Belgium, Spain, Germany and Hungary. They even played in Turkey and Iran. While in England they recorded two singles for CBS and recorded another for Philips in Holland. In late 1971 the band returned to Indonesia and played a number of concerts, but enthusiasm was starting to wane and in April 1972 they played their last show. Susy was keen to keep going and together with Titiek Hamzah recorded a number of albums using the Dara Puspita name, but it was really the end. Today only Titiek Hamzah continues in the Indonesian music industry, where she has had great success as a song-writer, but the music of Dara Puspita lives on and their records now command ridiculous prices with collectors.