专辑简介

On his samadhisound debut, Spellewauerynsherde, Akira Rabelais crafted austere settings to found recordings of Icelandic songs of lament. His follow-up, Caduceus, is a different beast -- a study of guitar and extreme distortion that's both harsh and mesmerising. samadhisound founder David Sylvian describes it as 'caustically romantic': 'Akira's recording presents you with an auditory experience quite unlike any other. It's by turns a brutal and discomforting ride. Outside of the full-on audio assault, there's unsettling disquiet in its quietude. Once heard it won't be forgotten and for those seeking out recorded music that is transformative, experiential, this material has that potency.' To create the distortion, Rabelais wrote a filter by modeling sources such as fuzz boxes and old guitar pedals. Samples of AM radio also lurk in the mix. 'You can hear faint fragments of voice in a couple of places on the album. I used static concretely and as a data modeling source. It's exceptionally tasty... right up there with a wedge of Red Leicester and a well structured Nero d'Avola.' Several of the pieces on Caduceus evolved in multiple directions, and all but one of the tracks are presented in two parts -- for example, the opening and closing cuts, or tracks three and four. 'As with just about everything I do it's mostly a matter of listening and waiting for the tracks to reveal their intentions. The album came to have a cinematic quality in my mind's eye, something like a soundtrack to a Western by Cocteau and Chris Cunningham.' Listening suggests scenes -- the slow-motion gunfight, the hero's death, the peace of sleeping under the stars. But usually a soundtrack sticks to the background; few films could stand up to Caduceus' onslaught. Perhaps the most challenging release in samadhisound's catalogue, Caduceus is rigorous, uncommon, and essential. Its sonic rewards are matched only by the chance to grapple with the personality behind it, which is as mercurial as the title suggests.