- 歌曲
- 时长
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作曲家:Juan García de Zéspedes
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作品集:Convidando está la noche (Arr. for Choir & Chamber Ensemble)
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作品集:Hodie scietis
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作曲家:Juan Gutiérrez de Padilla
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作品集:Joseph fili David
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作曲家:Juan Gutiérrez de Padilla
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作品集:Missa "Joseph fili David" (Arr. for Choir & Chamber Ensemble)
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作曲家:Francisco de Vidales
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作品集:Los que fueren de buen gusto
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作品集:Alleluia (Crastina die)
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作曲家:Juan Gutiérrez de Padilla
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作品集:A la xácara xacarilla
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作曲家:Juan Gutiérrez de Padilla
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作品集:Missa "Joseph fili David" (Arr. for Choir & Chamber Ensemble)
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作品集:Tollite portas
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作曲家:Joan Cererols
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作品集:Marizápalos a lo Divino (Serafin que, condulce harmonía)
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作曲家:Juan Gutiérrez de Padilla
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作品集:Missa "Joseph fili David" (Arr. for Choir & Chamber Ensemble)
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作品集:Benedictus (Mode VII)
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作曲家:Francisco López Capillas
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作品集:Cui luna, sol et omnia
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作曲家:Giovanni Pierluigi da Palestrina( 乔瓦尼·皮耶路易吉·达·帕莱斯特里纳)
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作品集:Missa "O admirabile commercium"
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作曲家:Juan Gutiérrez de Padilla
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作品集:3 Cuadernos de Navidad
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作曲家:Gaspar Fernandes
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作品集:Tleycantimo choquiliya (Arr. for Choir & Chamber Ensemble)
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作曲家:Juan Gutiérrez de Padilla
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作品集:Deus in adiutorium meum intende (Arr. for Choir & Chamber Ensemble)
简介
By the early 1620s – when Juan Gutiérrez de Padilla migrated from Cádiz to New Spain (modernday Mexico) in search of new horizons as a music director, composer and instrument-maker – the colony was an important and wealthy outpost of the Habsburg Empire, keen to maintain the religious and musical customs of its mother country. The cathedral of the young, thriving city of Puebla de los Ángeles was still a magnificent work in progress, but its music provision could already rival its European counterparts. Padilla stayed there for forty years, composing prolifically right up to his death in 1664, and had at his disposal a sizeable body of men and boys who not only sang but also played instruments – including guitars, sackbut, dulcian, and simple percussion such as the cajón. Siglo de Oro’s programme explores the rich soundworld of this time and place: a sonic landscape ultimately quite different from the one Padilla had left behind in Europe. Evoking a Mass at Christmas Eve affords the opportunity to include a number of villancicos – energetic, dance-like pieces whose captivating mixture of Mexican, Afro-Hispanic and Portuguese influences would have invigorated even the most sober churchgoer.