4.5 STARS from ALL ABOUT JAZZ 4.5 STARS from AUDIOPHILE AUDITION Previously Released as "Brazil Confidential" on ZOHO Reecords (2010) (all rights now by ©Jon Gold) Jon Gold piano and keyboards Harvie S bass (1-4, 7-9, 11) Mauricio Zottarelli drums (1-4, 7-9, 11) Jorge Continentino woodwinds (1,3,4,11) Scott “Scottinho” Anderson guitars (1,3,4,5,7,8,12) Ze Mauricio percussion (1-5, 7-9, 11) Anat Cohen woodwinds (2,7,9 Zach Brock violin (1,9) Andrew Sterman flute (2,7,9) Bryan Murray woodwinds (2,7,8) Luiz Ribeiro guitar (5) Toninho Ferragut accordion (11) Tatiana Parra vocals (5) LeahSiegel vocals(8,12,5backup) Katie Scheele English horn (6,10) Lauren Riley Rigby cello (12) REVIEWS and LINER NOTES "I first heard Brazilian music in 1956 when I was with the Dizzy Gillespie big band. As soon as we landed the local cats turned us on to this incredible music - and the sound is still indelibly inscribed on what's left of my addled be-bop brain. Jon has captured the depth of this genre on this work. I felt much the same passion as I felt back then when first listened to it. Bravo!" Phil Woods, Saxophonist Jon Gold is a wonderfully soulful pianist...I was delighted to hear how his music has grown and evolved in a very insightful and delicate direction that speaks directly and powerfully to the listener. Using interesting instrumental combinations, a wide compositional palette and featuring an all-star cast of American & Brazilian musicians,”Brazil Confidential” will reward repeated listenings”.  Tim Jackson, Director of the Monterey Jazz Festival   “.Intricate arrangements with a lively sense of rhythm, this recording of Jon Gold's music is attractive and full of a palpable joie de vivre.You will be entertained for sure.”   Dave Liebman, saxophonist   “...a music that is at once tunefully melodic and harmonically complex...His piano style is expansive and orchestral, providing a deep harmonic base to the remainder of his band. Gold boasts a special interest in writing for the audience...composing complex music that is readily accessible and enjoyable.” ”...It’s fascinating, all of it -- compelling because it presents a musical imagination that has been inspired by the culture of Brazil without superficially attempting to imitate it. And that’s a true rarity.”   Don Heckman (jazz critic for IROM/Los Angeles Times) All About Jazz: 4.5 Stars “...landmark album from the truly talented Jon Gold.” AllAboutJazz(Raul d'Gama Rose, 2010) “The music expresses both intricacy and passion with a resolute vision.” 4.5 Stars Robbie Gerson, Audiophile Audition  “Gold is not a Native Brazilian but lives the musical experience as brilliantly as any musician who is” Jonathan Widran, Music Connection, 6/2010 “...superb music that displays the kind of energy and talent you seldom hear these days. I'm high- ly impressed, and that takes some doing these days... I give this wonderful CD a MOST HIGHLY RECOMMENDED, with an “EQ” (energy quotient) rating of 4.96.” Dick Metcalf, aka Rotcod Zzaj zzaj.freehostia.com “Gold has done a masterful job evoking the richly melodic and melancholy nature of this tropical jazz-pop. A-” Philadelphia Daily News/Philly.com 5/25/2010 Jonathan Takiff    ”Pianist and composer Gold plays music inspired by his adopted country of Brazil, and he captures the layered essence of that country's musical heritage well by combining elements of classical, jazz, multiple Latin styles and traditional folk sounds. It begins with a journey through the Brazilian landscape on “Alem Do Azul,” highlighted by Gold's repeated keyboard phrases and Jorge Continentino's breathy flute. Anat Cohen joins in on several tracks, including the frenetic “Funky Jabour,” where her soprano sax soars above the percussion. This disc travels from thick jungles to the breezy beaches evoked by “Carioca Da Clara.” There is plenty of classical influence here too, as on the chamber-like “Janacek Suite No. 4.” Gold has captured the country in a bottle, and his compositions don't lack for interest or color. This is Brazilian done right. 2010, ZOHO Music, 59:55.” http://www.jsojazzscene.org/cdreviews.htm   “The new release by Jon Gold “Brazil Confidential” it's the now connection between Bossa Nova and the New Brazilian music of the 21 Century. I play and the listeners love it.” Jassvan DeLima DJ, Producer and Host of Som do Brasil (WKCR - NY)   “...Gold’s compositions are some of the best Brazilian-influenced music I have ever heard.” ThisIsBooksMusic.com   “... this is very well-played, catchy, lively, ‘glass is completely full’ World music to make you smile.” JsoJazzScene.org/cdreviews.htm     . Gold's music has many moving parts realized in such a way to give an overall impressionistic opacity where the instruments fade in and out of one another. His piano style is expansive and orchestral, providing a deep harmonic base to the remainder of his band. The prominent voices here are Gold's, Jorge Continentino's soprano saxophone (particularly on “Rapadura”) and Andrew Sterman's flute. Bassist Harvie S, a Zoho mainstay, firmly grounds Gold's complex compositions and solos deftly on “Teresinha,” which also sports Continentino's soprano saxophone. Gold boasts a special interest in writing for the audience. He largely achieves this, composing complex music that is readily accessible and enjoyable. His embrace of Brazilian culture is potently evident in his music, making him a worthy addition to the ranks of Zoho Music. February 19, 2010 Midwest Record Volume 33/Number 110 By Chris Spector, Editor and Publisher   Until the flutes kick in, this doesn’t really seem like a Brazil oriented record. Even then, it seems more like keyboard ace Gold is going for a supreme position in impressionistic, progressive chamber jazz. Rounding first and heading into the rest of the record, it comes together as a breezy, delightful adult set of Brazil flavored jazz/funk lite that just feels like closing up the home office Friday afternoon and putting the smart phone on vibrate as you get the weekend kicked off properly. This is a cat that knows how to get it done and surround himself with jazzbos that play like they do it for the fun of it above all else. Clearly an adult instrumental winner that’ll keep you coming back for more. ”Pianist/composer AND chemistry professor Jon Gold's love of Brazilian music led to him living and teaching in Rio where he met and befriended many in the Brazilian music community including Jobim and Pascoal. Throughout the album, the compositions are colorful, deeply layered and impeccably structured with interesting changes and melodic verve. A delight for fans of Brazilian music (like me) many of the songs reference towns or regions of Brazil and will have your mind wandering to sandy beaches and blue sky over splashing waves.””   JazzChicago.net by Brad Walseth