A mix of analog synthesizers, vintage keyboards, and operactic voice. A magic of giant projections, spectacular lighting effects, lasers and video on backdrops. Ariaphonics has created a totally new music style by combining elements of classical crossover with moods close to 70s conceptual albums. Review by Paul Tanenbaum For this is the worlds first space-rock-opera! And by space-rock-opera I do not mean the clumsy 60s / 70s model, nor do I mean a Sarah Brightman type classical crossover, rather something unique and new. Ariaphonics has devised and invented several new terms, concepts, genres. Those include as follows: space opera, album oriented classical crossover, sci-fi music. Zeitgeist Review UK There is no doubt that the composer achieved his highest expectations with this superior album. Once you start to listen, you can't stop. The album remains engaging throughout and the stunning vocals and captivating music unifies the richness of Ariaphonics. Musical Discoveries, NY, USA Ariaphonics (iGram) Melding classical music with rock is not new of course, but this intriguing hybrid of arias and electronics (hence the name) from Russian producer and composer Dmitri Silnitsky comes across more like Pink Floyd or Tangerine Dream interpreting Bach, Vivaldi et al. Kevin Mathwes MFL, USA A fine classic soprano (Gloria DAmos) floats among electronic sounds to create a unique concept that may be another Russian breakthrough act to rival the worldwide success of the popular Tatu duo. New Classical. UK Considering that I have no love for the operatic voice Ariaphonics proved once again that an open mind can be a blessing, as yet again an album that on the surface had little to offer, proved to be a pleasant treat. The combination of warm analogue keyboards and Gloria D'Amos soprano voice forming a splendid partnership. The Dutch Progressive Rock