"1962年许博允开始了创作生涯，《怨歌行》与《夜坐吟》为当年初试啼声的作品。同年与台湾作曲家共组「江浪乐集」后，参与发起了「中国现代音乐协会」、「亚洲作曲家联盟」与「亚洲文化推展联盟」。 许博允46年作曲生涯中创作的作品，记录了他独特、深刻而哲学性的音乐语言。1972年创作的《中国戏曲的冥想》，开启了东方弦乐新境界。1975年创作了《琵琶随笔》更是中国史上首次以现代作曲手法融合东方琵琶弹拨技法特质，突破性开创了中国乐器新意境，也带动全世界华人创作中国乐器乐曲的新思维。 1977年《境》的作品涵盖了100余件打击乐器及人声的作品，融合了美声合唱、民族唱腔（尤其是加入原住民、蒙古呼麦、长调…）及现代滑唱的唱腔于一体。1988年为中国民族乐器带来的交响乐曲《天元》，一新陈腔旧模的架构，并创出乐团新声响的领域。1998年以「素乐」的手法，写作《潜》改变弦乐四重奏的氛围。 这些「音乐世界的体验」都是这张《许博允之乐》CD所带给大家的回味！ Taiwanese composer Hsu Po-Yun started his musical career when he premiered his debut compositions “Song of Regret” and “Ye Zuo Yin” in 1962. Co-Founder of the composers’ association “The Rip Tide”, Hsu Po-Yun later took part in the establishment of numerous artists’ societies including International Society for Contemporary Music in ROC (ISCM-Taiwan), Asian Composers League (ACL) and the Federation for Asian Cultural Promotion (FACP). Hsu’s compositions over the past 46 years form a rich literature of his unique, profound and philosophical musical language. While A Meditation on Chinese Theater (1972) opened up a new prospect for string instrumentalists, The Pipa (1975) marked the first work in history to integrate contemporary composition skills with Eastern pipa techniques, which not only revolutionarily vitalized the Chinese musical milieu but also pioneered innovative concepts of Chinese compositions among Chinese composers around the globe. Composed in 1977, Mood, Field, Mind, Environment (1977) furthermore exploited over a hundred percussion instruments in addition to human voice, bel canto, ethnic singing techniques (namely aboriginal tunes, khoomei laryngeal and Mongolian Urtiin Duu) and modern glissandi. The orchestral work Tian Yuan (1988) for Chinese orchestra not only renewed conventional structure, but initiated novel sonic effects. Last but not least, Submersion (1998) developed upon the theory of minimal music and created unprecedented ambience for the string quartet. It is these recollections from the composer’s global musical experiences that Music of Hsu Po-Yun cherishes and shares."