以「根据他们的立场」的文学形式为灵感，这让我联想到一首歌曲的名字可以是「立场之间的旋律」。这个名字仿佛描绘了一场音乐交响，每个音符都反映着不同的立场，编织成一个丰富的音乐画卷。 歌曲中不同的声音错落着 模拟个人与周围人交流模式的差异 这些交流让我想到，人类的进程是多样和复杂的，每个人在行为和思考方面都有自己独特的风格。 比如当我们讨论 "现实" 时，通常指的是我们周遭的物质世界、生活环境以及客观存在的情况。我常常认为打开眼睛看到的景象、感受到的声音，都可以视为现实的一部分。我制造的声音有错落的、非理解的语言、很靠近「外面」的声音、很迷雾的后面的喃喃之语。一些弹跳的节奏，或是固定的节奏。 没有一种风格是完全正确或错误的，而是取决于具体的情境和个人需求。而理解自己是一场漫长的旅程。 人们的感知和理解是主观的，不同的人可能对相同的现象有不同的诠释。有时，梦境或回忆中的场景也会在我们的脑海中变得非常真实，但它们与客观现实仍有所区别。 有时候我有一些想法 像是，我并不是我感受到的那些之下的我 我像是被带入了谁的世界学习他们的生活方式还有语言 他们的哭和笑和感到痛苦悲伤的故事 我也会跟他们一样。 因为是同一种教育 同一种体验方式 我想我真的很认真学习 有时甚至超越了他们 于是我放大了所有的酸甜苦辣 。假设我一出生就被浸泡在其中一种环境中 ，辗转好多环境之后我依旧很纳闷，所谓 真正的原本的自己的样子是什么，又要怎么识别与理解「真正的原本的自己」 歌曲表达这个过程可能需要面对内在的矛盾和不确定性，并呼吁接受自己是不断演变的过程，而不是一个静止的终点。当他人的评价来临时，尝试以建设性的态度看待，从中提取有价值的信息，同时不会忘记自己优点。 Inspired by the literary form of "According to Their Stance," it evokes the idea of a song titled "Melody Between Stances." This name seems to depict a symphony of music, where each note reflects different stances, weaving together a rich musical tapestry. Various sounds in the song are intertwined, Simulating the differences in communication patterns between individuals and their surroundings. These interactions lead me to think that human progress is diverse and complex, with each person having their own unique style in behavior and thought. For example, when discussing "reality," it usually refers to the material world around us, our living environment, and objective circumstances. I often consider the sights and sounds we perceive when we open our eyes as part of reality. The sounds I create include disjointed, incomprehensible languages, sounds very close to the "outside," and murmurs in the distant fog. Some have bouncing rhythms, while others have fixed rhythms. No style is entirely correct or wrong; it depends on specific circumstances and individual needs. Understanding oneself is a long journey. People's perceptions and understandings are subjective, and different individuals may interpret the same phenomena differently. Sometimes, scenes from dreams or memories can become very real in our minds, but they still differ from objective reality. Sometimes I have some thoughts, such as, I am not the self beneath what I feel; I seem to be brought into someone else's world, learning their way of life and language, their stories of crying, laughing, and feeling pain and sadness. I am also like them. Because of the same education, the same way of experiencing, I think I really learn seriously. Sometimes I even surpass them. So I magnify all the ups and downs. Suppose I was immersed in one environment since birth, after experiencing many environments, I still wonder, what is the true original self, and how to identify and understand the "true original self." Expressing this process in a song may require facing internal contradictions and uncertainties, and it calls for accepting oneself as an evolving process rather than a static endpoint. When others' evaluations come, try to take a constructive attitude, extract valuable information from them, and not forget one's strengths.