"Hasselbach has assembled a collection of standards and originals and gives them extremely listenable treatments..... purposefully constructed and full of ideas .. very much to discover and enjoy here. [Paul Donnelly U.K. Press] "Come Out Swingin' is a fine recording of mainstream jazz; Hasselbach clearly understands the genre, and so does his crack quartet..... Multi-instrumentalists often sound capable on their instruments, but rarely exceptional; Hasselbach demonstrates a command on each and every one of his chosen instruments that is impressive..... fans of more mainstream jazz will be impressed by the approach Hasselbach has taken to a set of well-worn standards; in his hands they are well-worth revisiting." John Kelman JazzReview.com "Hasselbach embraces his music totally in his ability to transform his musical ideas intelligently for the discerning ears of the listener in clear, cogent, musical language.....without resorting to technique-oriented double talk. He offers his listeners the essence of the finer elements of jazz, delivered to our ears for sensuous pleasure. What an nice surprise...." George W.Carroll ejazz news "Hasselbach has assembled a collection of standards and originals [and] gives them extremely listenable treatments..... 'You Don't Know What Love Is' remains my favourite ..... Hasselbach brings exceptionally cool flute to it and infuses a detached tone that still isn't devoid of emotion. It broods and hovers .... I liked the sense of space created .... room to remind anyone over-familiar with it just how lovely it is. I think it is a tribute to any musician or band if they can extract another shade of blue from this old-timer and still leave the listener wanting to hear it again .... they do that. Throughout the tracks there is plenty of meaty soloing from GMH in particular, purposefully constructed and full of ideas .. very much to discover and enjoy here. [Paul Donnelly U.K. Press] Performance: 5, Sound: 4, “Hasselbach plays a very sweet melodic trumpet. He also plays flugelhorn, flute, trombone and evi. The music, a combination of classics with a couple of originals really swings. "Angel Eyes" shows Gabriel's romantic side. Miles Black tickles the ivories, standing out on "Blue Miles". Craig Scott plays drums with Miles Foxx Hill on bass. Guest vocalist Michael Buble' rounds out the session on a nice arrangement of "I've Got You Under My Skin". The variety of approaches and strong arrangements make an inviting set that you'll want to listen to repeatedly.... “ [O's Place Jazz Newsletter] This is a rich, fantastic jazz album featuring the seductive horns of Gabriel Mark Hasselbach. Sandy Shore/ SmoothJazz.com