En travesti
- 乐团: Münchner Rundfunkorchester (慕尼黑广播交响乐团)
- 发行时间:2018-02-02
- 唱片公司:BR-Klassik
- 唱片编号:900318
- 类型:录音室专辑
- 歌曲
- 时长
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作曲家:George Frideric Handel
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作品集:Radamisto, HWV 12
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作曲家:Antonio Lucio Vivaldi
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作品集:Farnace, RV 711( 歌剧《法纳斯》,RV 711)
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作曲家:Wolfgang Amadeus Mozart( 沃尔夫冈·阿马德乌斯·莫扎特)
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作品集:Le nozze di Figaro, K. 492( 歌剧《费加罗的婚礼》,K. 492)
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作曲家:Gioachino Rossini( 焦阿基诺·罗西尼)
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作品集:Tancredi( 歌剧《坦克雷迪》)
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作曲家:Vincenzo Bellini( 文森佐·贝利尼)
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作品集:I Capuleti e i Montecchi( 歌剧《凯普莱特与蒙泰古》)
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作曲家:Giacomo Meyerbeer( 贾科莫·梅耶贝尔)
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作品集:Les Huguenots( 歌剧《胡格诺教徒》)
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作曲家:Gaetano Donizetti( 葛塔诺·多尼采蒂)
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作品集:Maria di Rohan
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作曲家:Christoph Willibald Gluck( 格鲁克)
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作品集:Orphée et Eurydice, Wq. 41( 歌剧《奥菲欧与尤丽狄茜》,Wq. 41)
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作曲家:Jacques Offenbach( 雅克·奥芬巴赫)
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作品集:Les contes d'Hoffmann( 歌剧《霍夫曼的故事》)
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作曲家:Pietro Mascagni( 马斯康尼)
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作品集:L'amico Fritz( 歌剧《友人弗立兹》)
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作曲家:Giacomo Puccini( 贾科莫·普契尼)
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作品集:Manon Lescaut, SC 64( 歌剧《曼侬·莱斯科》,SC 64)
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作曲家:Jules Massenet( 儒勒·马斯奈)
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作品集:Chérubin
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作曲家:Richard Strauss( 理查德·施特劳斯)
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作品集:Der Rosenkavalier, Op. 59, TrV 227, Act I
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作曲家:Joseph-Maurice Ravel
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作品集:L'enfant et les sortilèges, M. 71
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作曲家:Henry Mancini
简介
Anna Bonitatibus is one of the most successful mezzo-sopranos of our time. On her new album entitled "en travesti", together with the Munich Radio Orchestra conducted by Corrado Rovaris, she presents the most famous and important arias written over the past three hundred years for women acting in male roles on the opera stage: so-called "trouser roles". The fifteen arias begin with Handel and Vivaldi, then go on to include works by Gluck and Mozart, the Italians Rossini, Bellini and Donizetti, the French opera composers Meyerbeer, Offenbach and Massenet, the Verists Mascagni and Puccini, as well as Ravel and Richard Strauss; and the programme concludes with a song from the film musical "Victor/Victoria". The "trouser role", i.e. the woman performing in male dress, has always been a popular phenomenon in spoken as well as musical theatre. The notion that it served only to gradually replace parts written for castrati – whose tradition ended in the first half of the 19th century for humanitarian and aesthetic reasons - is a commonly accepted one but is not, in fact, correct. Even during the heyday of castrati, men were repeatedly portrayed by women en travesti, and these parts were performed by famous female singers. On her album, Anna Bonitatibus exclusively sings arias that were originally written for women. She thus provides a whole new insight into the 'trouser role' and gives us impressions of how these fascinating and astonishingly varied numbers from three centuries of musical and operatic history must have sounded. There are famous and lesser-known opera titles here, popular musical numbers and also genuine rediscoveries - from Baroque opera to Italian bel canto, all the way to songs from contemporary musicals. It's an impressive concept, and lots of fun. The studio recordings by the Bayerischer Rundfunk were made in the summer of 2016, and have now been released on BR-KLASSIK. ? Opera arias written exclusively for 'trouser roles' as well as songs from musicals – all of it covering three centuries of music history ? Famous arias and numerous interesting new discoveries ? Professional studio recordings by the Bayerischer Rundfunk in July 2016 ? Accompanied by the Munich Radio Orchestra under the Italian conductor Corrado Rovaris