These 10 songs owe debts to old murder ballads, the Velvet Underground and the Doors, acoustic Neil Young, Townes Van Zandt and Marianne Faithfull. With eerily plucked banjo (the haunting, southern gothic of A Little to the Left), a dense guitar drone and unsettling organ (A Forest of Forests), stalking bass and disturbing electronics (the soundscape of Sargasso Sea), and vocals from down a dark hall (Harvesting the Sea), this can be as creepy as it is cathartic. They also carve out driving pop-rock (Fu Man Chu, Deep Deep Sea, Feels Like Fun which sounds like 1976 Dylan fronting the Meat Puppets) but mostly this comes out from the shadows. Better known in the US, where they recently toured, than they are back home, the Renderers occupy rock-noir territory similar to Nick Cave’s. But when Maryrose takes the vocals there is an even more unnerving juxtaposition between her singing and the menacing lyrics and music.