Storm Davis first freestyled on a Providence, Rhode Island, city bus in 1989. He battled a female volleyball player from a cross-city high school. She won. Undaunted by this crushing defeat, he began to seriously rap as a joke in 1993, recording horrifying lo-fi demos with a mysterious karaoke DJ named The Snail. These sessions found their way into local shops between 1994 and 1996, manifesting as two appalling mixtapes that have luckily disappeared from the public consciousness. Storm spent most of the late 1990s beginning and ending projects with numerous collaborators far more talented than himself, always dropping out to foolishly attempt to adapt himself to a more conventional lifestyle that was destined not to take. He entered freestyle battle competitions, recorded some mixtape 'exclusives,' and generally leaned against the wall during the earliest hours of this underground hip hop party. He perfected an earth-shattering Jason Priestley impression. This did little to further his career. Around the turn of the century, Storm dabbled in the Providence coffee shop spoken word scene, and still clings to the delusional notion that he had something to do with local cafe Cup of Joes winning the 2000 Providence Phoenix Best Spoken Word/Open Mic selection (he was a featured weekly performer). Davis then began working in the independent film scene, as well as at a boutique music label/management company, in the hopes of helping to further the careers of associates and other artists he was certain were better than he. Both ventures ended in disaster. In late 2003, standing amidst the smoldering ruins of a once promising life with nothing but a resume heavily tilted toward the loss column and pounds of pages of unrecorded songs, SD finally decided that intense drive, clear vision, and an unwillingness to accept reality were far more important than astounding talent. Thus he began recording a proper debut album, called KEGSTAND POETRY FOR THE RECOVERING ALCOHOLIC, crafting literate, personal lyrics true to the legacies of forgotten hip hop legends like Justin Warfield, Divine Styler, and Wise Intelligent of Poor Righteous Teachers, melded with melodic sensibilities inspired by artists like Faith No More, Kilgore (Smudge), and ex-House of Pain frontman Everlast. The LP arrived in stores in May 2006 to a whirlwind of raised eyebrows, moderate apathy, and the unbridled glee of the occasional diehard devotee. In 2004, Storm joined forces with a cadre of New England's finest emcees and producers to form Poorly Drawn People, the latest in this nauseating wave of overly-emotional underground hiphop crews that swurrr to gawd they gon change da game... they won't... neither will PDP... but, the music is rather impressive. Storm would appreciate it greatly if you stayed tuned as the saga continues to unfold. WHAT THE CRITICS ARE CLAIMING ABOUT STORM DAVIS: "It's easy to liken Storm Davis to the wise old man sitting at the end of the bar at your local pub. The exception is that he's not slurring his sought-after advice, instead he's flipping intricate rhymes filled with heady vocabulary and creative metaphors. The Rhode Island MC's music is easy to warm up to and gives you food for thought." - download.com: Editor's Pick, December 2004, "Rhode Island hip-hop? No way! Well surprisingly enough Storm Davis actually has some decent cuts. Wait, did I just say decent? I meant un-f**king-believable. While everyone’s ready to discount him because he’s white and he’s from... Providence, Rhode Island, Davis is busy writing amazing raps with poignant lyrics and intelligent verses. Prop that up next to his amazing beats, killer production, and incredible rhythms and you have one damn fine underground hip-hop album to reckon with. Forget the stereotypes, this is the shizz." - Smother Magazine: Editor's Pick, Smother.net, May 2006