Only two things exist in the universe: there is what is & there is what isn't. As we cycle between the ones and zeros, generating our own reality, it is important to acknowledge the infinite power of love. This album examines the relationship and struggle between man and machine. Entirely performed by a computer, The Cabin Light Inside The Spaceship is an experiment of a 12-tone and hip hop nature. The pieces were composed as tonal 12-tone chamber music and programmed using a beat processor demo. That is, 12-tone rows are created linearly, while applying to functional harmony (occasionally also forming rows) and moving on top of repetitive and mutating grooves. The result of this process of conception, composition, arrangement and execution can be oftentimes bizarre. The multidimensionality of its melodic phrasing in tandem with its loop-oriented electromechanical rhythms made the album a perfect candidate for application in a regionally localized study on the effects of intervallic frequency randomization on neuromodulators during regression hypnotherapy sessions. Dr. Karl Hungus, leading physician in the field of pneumoencephalography, reported that the music was effective in its ability to simultaneously numb and frighten the test subjects into a sexually-maniacal, hyper-aggressive and somewhat paranoid physiological state of hysterical catatonia. According to Dr. Hungus, this condition is ideal for the suspended-consciousness state necessary for deep regression hypnosis, as he discovered a correlation whereby test subjects who were not as markedly terrified were also more prone to confabulation. For best results, concerning the search for extraterrestrial intelligence, turn your stereo up all the way so the aliens can hear it. Recalibrate your sound system before attempting deepspace telecommunications. We bear witness to the dawn of the digital renaissance. We must act as water and find the easiest path: the path of least resistance.