Medieval and Renaissance Airs, Songs and Dances arranged for solo harp. Therese Honey's deeply studied music opens a window into other times, with their historical backdrop, spiritual qualities and ways of feeling. We really feel we are sitting in a hall, listening to music fit for Queen and King. Honey plays reproductions of old harps, tuned to Medieval and Renaissance temperaments, rather than modern equal temperament. A few tracks feature the "bray harp." Therese: "In the 15th and 16th centuries, harps had L-shaped pegs called "bray pins" to hold the strings into the soundboard, with the leg of the "L" resting on its string, causing the strings to buzz, or "bray like a donkey" when plucked. This distinctive sound is thought to be the preferred sound of the harp in the Renaissance. It is indeed wonderful to play dance music with a bray harp." TH has added preludes, drones and/or counter-melodies to the single-line melodies surviving from the medieval period; the Renaissance music has been arranged for solo harp with new variations or divisions, a common performance practice of the time. On this unique recording,The Royale Harpist offers enchantment and education in equal measure. “…slow airs in evocative style and dance tunes with energy and grace.” ~Celtic Radio “…this is harp music like you’ve never heard it.” ~Midwest Record “…a unique and powerfully bewitching performance.” ~Folk on Tap “Her style is reflective and thoughtful and creates a distinct presence among harpists…” ~Dirty Linen “Honey’s playing is soulful…She clearly has a profound feel for this music and we are the winners for her keeping it alive.” ~Jackson Citizen Patriot “…her rhythmic prowess and ability to draw out multiple voices from the single instrument make these pieces sing.” ~Victory Review “…an exquisite paean to the Celtic harp…Honey’s classical training is clearly – and lyrically – evident …” ~Islands Magazine