专辑简介

Cycle of chromatic preludes «Thinking of Bach» (2007) for a organ it is very successfully transformed for a bayan by brilliant musician S. Shmelkov. Communication with I.S. Bach's name exists in this composition in each piece in slightly conditional tonalities on letters of his surname (BACH), accepted in letter designations of notes (Si a flat, La, Do and Si). The Same notes appear in each part of a cycle and, of course, the composition plan was reflected in its stylistics (R. Ledenyov).

Three piece in „bad” Style for a bayan with microphone (1992) one of S. Berinsky's the most extravagant compositions for a bayan. Titles of parts are unusual and absurd: 1part „L’AMOUR”, 2 part „Khoo?!” (But not in sense – „kho“), 3 part „Partando Vulp…” (Nobody knows that it means). «Three piece - gloomy, depressive composition. When it has been written, to me suddenly became badly from soul dejectedness» (S. Berinsky).

Four stories for four flutes with a bayan (2009) is the first composition in the literature of a bayan for such ensemble. All composition is impregnated by Russian national intonations, and in thirds part sounds together the beginning of Russian national song «the Guelder-rose with a raspberry early has blossomed» and intonations of the Byzantian music. «In each story it would be desirable to show not easier character, an image, and to tell a story musical resources» (O. Chistokhina).