- 歌曲
- 时长
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作曲家:Vittorio Monti
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作曲家:Fritz Kreisler( 弗里茨·克莱斯勒)
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作曲家:Frederick Weatherly
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作曲家:Aloysio Oliveira
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作曲家:Camille Saint-Saëns( 夏尔·卡米尔·圣-桑)
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作曲家:Sigmund Romberg( 西格蒙德·隆贝格)
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作曲家:Richard Drigo
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作曲家:Jules Massenet( 儒勒·马斯奈)
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作曲家:Edward Elgar( 爱德华·埃尔加爵士)
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作曲家:Christoph Willibald Gluck( 格鲁克)
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作曲家:William Rimmer
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作曲家:Edward Elgar( 爱德华·埃尔加爵士)
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作曲家:Edgar Crockett
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作曲家:Nicolai Rimsky Korsakov
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作曲家:Jerome Kern( 杰罗姆·科恩)
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作曲家:Felix Arndt
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作曲家:Charlie Chaplin
简介
The words "tuba" and "solo" are, and never have been, mutually exclusive. If anything, they are redundant. Composers from Brahms to Bernstein have recognized that the lone chair in a symphony orchestra defined the tuba as not only the bass voice of the orchestral brass choir but a solo instrument of power and grace. The awkward revelations of "Tubby the Tuba" in which Tubby undergoes musical puberty and eventually plays a melody serve to evangelize young people and the general public to the knowledge with which Patrick Sheridan made his career - the words "tuba" and "solo" are synonymous. Lollipops of the musical variety are crowd-pleasing tidbits designed to please the audience. It is impossible to know who first used the term to describe tuneful encores but British conductor Sir Thomas Beecham was the master of the genre. Beecham successfully interspersed shorter works -both sweet and savory - to refresh the musical palate of his audiences. Such treats were not nutritionally empty but were as enjoyable as they were satisfying. Most importantly, each possessed beautiful, infectious melodies which made them perennially welcome in concert and recital halls.