The present release is a fascinating journey through the music that unites Debussy with Spanish composers. Places are sounds- and this music is Granada. The city was a recurring source of inspiration for Debussy, and yet the composer never visited it; his knowledge of it was gained only indirectly through literary accounts, images, and musical sources heard in Paris. All of these materials served to unleash his imagination in regard to its sound, which according to Falla represented ‘the truth without authenticity, as not a single note is borrowed from Spanish folklore and yet, even in its smallest details, it wonderfully expresses Spain’. A common element links all the composers in the present program: the city of Paris. From the end of the nineteenth to the early twentieth century, the French capital was a fundamental goal for many Spanish composers, who at some point in their lives went there for study or work purposes. Born in Tokyo, Japan, Azumi Nishizawa is considered one of the finest Japanese pianists of her generation. She studied with Michiko Okamoto and Ikuyo Kamiya at the Toho Gakuen Conservatory of Music in Tokyo, and was subsequently selected as an outstanding pupil by the famous French pianist and instructor Dominique Merlet at the Geneva Conservatory where she won first prize for virtuosity.