The occasionally indulgent feel of The Moon & Antarctica allowed Modest Mouse the room to make epic statements about life, death, and the afterlife;The album is worth of collection. while Good News for People Who Love Bad News is equally concerned with mortality and spirituality, it has a more active, immediate feel that makes its comments on these subjects that much more pointed. The band hits these points home with a louder, more rock-oriented sound than they've had since The Lonesome Crowded West, particularly on "Bury Me with It," which embodies many of the contradictions that continue to make Modest Mouse fascinating. For a song loosely about contemplating death, it sounds strikingly vital and liberated; Brock delivers finely shaded lyrics like "We are hummingbirds who've lost the plot and we will not move" with a barbaric yawp; it's nonsensical but oddly climactic, conveying how what seems trivial can be anything but. "The View"'s angular bassline and scratchy guitars underscore the Talking Heads influence on Modest Mouse, but since the Heads have become a more trendy touchstone , it's nice to hear how Brock and company take that influence in a different direction instead of just rehashing it with less inspiration. Feeling stuck is a major theme on Good News for People Who Love Bad News, but the same can't be said about the album's sound, which spans the forceful rock of the aforementioned songs, to the pretty guitar pop of "Float On" and "Ocean Breathes Salty," to the lovely, rustic "Blame It on the Tetons."