十一月，Chris Garneau携第三张最新专辑《WINTER GAME》中国巡演即将开始。当Chris Garneau再次带着我们重温《Music for Tourists》时，我们会不由自主的忘却忧伤，沉湎并喜欢上这种美妙之感的。 When Chris Garneau started working on Winter Games five years ago, he had a simple premise in mind: exploring the frostbitten season through secondhand story lines. Not long-forgotten memories of merriment and myrrh so much as the many ways smothered sunrises and blanketed windowsills manipulate our moods and tighten―or in some cases, altogether undo ―our family ties. So the first two tracks Garneau wrote (simply titled “Winter Song 1″ and Winter Song 2″ despite being much denser lyrically) weren’t just about seeing ghosts or sinking one’s teeth into piles of freshly packed snow. They also delved into such dark topics as abuse, incest, and neglect. Things only got deeper from there, too, transcending the singer’s original concept with minor-keyed tales of hastily drained happiness, unheeded warnings, and swift mood swings.