The scherzo is in great contrast to those of the first two symphonies, both of which are fast and forceful. It is, however, the movement of which the sketches provided the clearest indications of Elgar's intentions, and the gentle wistfulness is in a recognisable Wand of Youth style. A light dance-tune with a prominent part for the tambourine recurs like a rondo. There are two contrasting episodes, the second of which features an A major theme in pastoral vein.