In the works constituting the Suite española, the first title makes reference to the region that each piece represents and the subtitle in brackets indicates the musical form of the dance of the region. The suite has been orchestrated by other hands, including a well-known version by Rafael Frühbeck de Burgos. Arrangements of individual works and indeed the entire suite are often played in concert by classical guitarists. In fact, "Granada", "Sevilla", "Cadiz" and "Asturias" are more often heard on guitar than in their original piano versions; all four have been staples of the guitar literature since early in the 20th century. "Cataluña" and "Cuba" became solo guitar staples in the 1980s. The remaining pieces, "Aragón" and "Castilla," have been transcribed for guitar solo but are more often heard in multiple-guitar transcriptions.