《岁月鸿沟》是惘闻乐队的第九张唱片，录制于2016年1月初，同年发行。这是惘闻第一次同制作人Wouter Vlaminck, Lode Vlaminck兄弟合作的唱片，是一张充满凝重氛围和织感的唱片。 《岁月鸿沟》在arcticdrones评论网站上获得了8.9的高分；入选arcticdrones上评选的Post-Rock Listeners’ Choice ：the 50 Best Releases of 2016，50 Favorite Albums of 2016； 成为beehype评选的Best Albums of 2016中的第一名；也同时被that’s推荐为The 10 Best Albums from Mainland China in 2016。 乐队因此张专辑获得：2016第六届阿比鹿音乐奖最受欢迎摇滚音乐人；2016第八届中国摇滚迷笛奖 年度最佳摇滚乐器演奏等多项殊荣。 乐队专辑自述： 2016年1月初，差不多是一年中最冷的时候，惘闻在大连完成了乐队第九张唱片的录制，与以往不同，我们第一次找来了Wouter和Lode兄弟俩作为唱片的制作人。这张唱片总共收录了6首长曲和1首录自于废弃厂房中的人声作品，它们都是在过去的三年中创作的，最终的录音在原始创作的基础上改动了不少，乐队希望在一个作品中表述更多的内容和情绪，做更多的线索和矛盾冲突，而制作人则希望把一切脉络梳理的更清晰，双方的这种拉扯达到了最终的某种平衡结果。对惘闻而言，它是我们认知和探索自身和外在世界的又一次尝试。 过去的几年，感觉时间轴绷上了弹簧，加速度使人充满了莫名的兴奋和窒息感。才刚习惯的十年一代的讲法也已经过时，眼前的生活如速度失控的幻灯片般闪烁变幻。移动网络似乎把人与人拉得很近，其实是改变了我们的存在方式，让今天的“关系”成为一堆堆坚硬的数据模块, 不灭不净，无法交融，你甚至不能选择不参与其中，随之深深坠入时空堆积过载又不断撕裂的缝隙中。 越过岁月鸿沟就是Sweet Home, Go了？是的，不过是另一个岁月鸿沟，英语的。音乐总是或轻或重，但它从来不是精神糖果或者情绪解药，但我总是幻想着它那强大的气流能让时间暂停，把你我从冰冷的深渊喷到九霄云外，然后摔到粉身碎骨。 惘闻 2016年4月11日于大连 <Sweet Home, Go!> is the 9th album of Wang Wen, recorded around January 2016. It was the first time Wang Wen cooperate with the producers, Wouter Vlaminck and Lode Vlaminck brothers. <Sweet Home, Go!> is an epic, dark ambient album with much textures. Press of <Sweet Home, Go!> Album: 8.9/10 of Arctic Drones “Top 50 Best Release of 2016” & “Top 50 Favorite Album” of Arctic Drones Top 1 “Best Albums of 2016” of Bee Hype “The 10 Best Albums from Mainland China 2016” of That’s magazine With <Sweet Home. Go!>, Wang Wen won “Most Popular Rock Musician of 2016” by Abbey Music Award and “Best Rock Music Instrument Play of 2016” by Midi Music Award. Early January 2016, during the coldest time of the year, Wang Wen completed the 9th studio album in Dalian, China. What was different about this album is that it was the first time we got Wouter and Lode to produce a record for us. For this album we recorded 6 long songs and an a cappella track recorded in an abandoned factory.All these songs were created within the last 3 years, but went through the ringer of change during the recording process. During recording an album, a band wants their music to be full of expression and feeling and to have the freedom to explore new threads, contradictions and conflicts. Producers on the other hand are looking to make the sequence of music more clear. In the end, the two sides of the spectrum strike a balance and complement each other. To Wang Wen, this was another experience in our journey to further understand and explore ourselves and the outside world. Over the last few years, it feels like time had been spinning out of control. As time speeds by it makes people feel an indescribable excitement but also a feeling of suffocation. Just as we become used to the ways of today, things change in a flash. The Internet has seemingly brought people closer together. Actually it's changed our existence by taking our "relationships" and turning them into rigid blocks of data, unable to blend into each other and therefore plunging us into the many deep cracks of space and time. Is Sweet Home, Go about surpassing the gulf of time? Yes, but a different kind of gulf. English. Music is always light and heavy, but it should never just be a quick fix of energy or a mood enhancer. I'm always imagining, what if the powerful flow of music could stop time and shoot us us out of this cold abyss into the heavenly skies above, then drop us to our deaths. Wang Wen, Dalian. 4.11.2016