专辑简介

The sound of revelation according to go nogo doesn't need no fallen angel or some beast to ravage the world. What sounds much like Aleister Crowleys dark satanic verses unveils itself as a brooding Indie Dance tune that will eventually turn into an uplifting chorus. Catchy as it may seem, The Devil Too raises some philosophical questions and ponders over the laws of nature. Although again different in texture, the key elements of go nogo are full in effect: delayed rythm guitars, chords from an electric bass, trance-like synth-patterns and a singer who’s trading tonality for attitude. There are three remixes and a cover version, all different in approach, all in a different mood, but altogether hellish stuff. Klangschwester drops an eerie lullaby flavor with her very own interpretation of the song. The lady from "da oben" (aka somewhere in Northern Germany) tinkers about with sounds which seem to play from some long-forgotten musical box. Combined with her voice of innocence and bliss, she crafts a morbid but beautiful tale. The first remix goes by the name of David Bucka who has erased almost all of the verse in favor of a solid House tune. It’s is still close to the original but clarified by a steady bass-line concept and repetitive elements which you need in a club context. Hard to believe, but Copycat takes the sinister verse lines to the beach of Rimini. It’s kind of ironic, but what reminds of Righeira’s „Vamos a la playa“ is equally disturbing, for the duo’s lyrics where concerned with atom bombs exploding on the beach. Away from Italo Disco, Dead Sea Captains finally deliver the off kilter, most de(re-)anged type of remix. It flirts with WARP stylistics and eerie IDM methods, chopping a big(-er) Beat to shreds.